-HANDSOME DICK MANITOBA (Lead singer of The Dictators) /// Brad Marino Band /// Haxawald

HDM~~~EL HOMBRE

Richard “Handsome Dick” Manitoba, also known as “The Handsomest Man In Rock & Roll”, and the “World’s Greatest Entertainer” (at least since Sammy Davis Jr. left us) was born Richard Blum in The Bronx, New York, January 29, 1954. Richard is a musician, most well known for being the lead singer (for most of 45 years) with the New York City legendary punk band, THE DICTATORS.

MR. MANITOBA also spent 14 years (starting around 2004) on Sirius XM Satellite Radio, hosting “The Handsome Dick Radio Program“, a national show, 5 nights a week on Little Steven’s Underground Garage.

And that ain’t all folks!. Handsome Dick has owned the coolest rock ‘n’ roll tavern in the Western Hemisphere for just about 20 years now. Oddly enough, it’s called Manitoba’s Bar and it’s located at 99 Avenue B between 6 and 7 Streets in New York City’s, East Village, on…the lush beautiful island of Manhattan.

HDM also occasionally sang lead with the MC5 (at the time called DKT/MC5), which included Michael Davis, “Brother” Wayne Kramer and Dennis “Machinegun” Thompson, founding members of Detroit’s legendary MIGHTY pre-punk rock and roll band, The MC5.

MR. MANITOBA was a guest on his pal Jimmy’s television program, “The Tonight Show Starring Jimmy Fallon“. HDM was a major character on an ill-fated half hour reality show called Barmageddon. He proudly sat with the late great chef, Anthony Bourdain, chowing down on White Castles at MR. MANITOBA’S childhood Bronx White Castle.

Handsome Dick released a book with his friend, the late writer, Amy Wallace on Backbeat Books, called The Official Punk Rock Book Of Lists, and wrote liner notes for a series of live albums from CBGB’S, on the MVD label. HDM has been a paid speaker at colleges and institutions and a paid writer, even though he’s only read four books in his lifetime!

“…and let’s not forget the man has his very own bobble head doll… and I’ll tell you this …you can look at all the bobble head dolls you want, and if you find one that looks like THEM more precisely than mine looks like me, well, let’s put it this way… I’d be mighty surprised! It’s a good feeling knowing someday my ashes will be spread over Yankee Stadium and also knowing I left this earth leaving behind bobble head dolls!”

SONGWRITING

The name of the first song I ever wrote, with Ross The Boss, at about 60 years of age, was ”SUPPLY and DEMAND” …it’s what I often talk about. So many people want us to keep this music alive. They had the demand, we had the supply.

I ran into author Dave Marsh up at Sirius Studios. Dave has written an untold amount of books on rock ‘n’ roll history. He is a total rock ‘n’ roll historian and his wife is co-manager of Bruce Springsteen. The guy has been around! Amazingly he comes to me and says “SUPPLY AND DEMAND IS A MASTERPIECE”.

I actually blushed a little.

I said, “Come on Dave! It’s a nice solid rock and roll tune made for the DICTATORS, but a masterpiece?” he said, “I’m not kidding, I don’t kid around about these things” and I just said, “Thank you very much,” and left it alone.

That, coupled with a few other positive reinforcements about my new foray into writing, like getting much support from Palmyra Delran, a GREAT songwriter and all around musician, and recording artist, gave me my “writing legs.”

I now had my legs under me holding me up propelling me forward. l had the confidence I needed to write.

I said hello to an old acquaintance at a party, and the acquaintance brings up the name Jon Tiven, I said “send my love to Jon”, an old friend from the 1970s. The next thing I know, I was writing a bunch of lines for a song and Jon, who is unbelievably talented, was sending me back nearly complete or complete songs… THE NEXT MORNING.

Jon has worked on over 60 albums in his life, has a studio in his house and plays seven instruments himself, (Sally, his wife, plays bass). Jon sent me down to Nashville to make an album. I recorded 18 songs in 4 1/2 days with some of Nashville’s finest musicians.

Just to name a few people that Jon has worked with (I mean just a few): Wilson Pickett, Dan Covey, Arthur Alexander, and the brilliant Steve Cropper who he still works with today…and on and on the list goes.

We feel confident the album will be released in 2019…. it’s called “Born In The Bronx”.

THE DICTATORS

MR. MANITOBA’S on stage career started with one of the oddest beginnings in rock ‘n’ roll history.

The band was forming and Handsome Dick was the best friend of the band, but not singing or playing an instrument left him out of the fun! The boys had to have a job for their best friend, so they made him a roadie. A job he was ill-suited for. MANITOBA was a drunk roadie, lost equipment, pulled an awning halfway out of the side of a building, etc. While driving his 12′ box truck, the top of the truck caught the awning and yanked it out of its concrete. The owner asked me if I did it. “No” I said… “Well I SAW you do it” … “Well then, I did it!”. But MANITOBA, unbeknownst to the world at this point in time, did something very well…he was magic with a microphone in his hand.

The first proof of his microphone prowess took place at a place called Popeye’s Spinach Factory in Sheepshead Bay, Brooklyn, 1975.

Chris Stein from Blondie was there, Eric Emerson of the Magic Tramps, part of Andy Warhol’s crew was there, and my friend David Peel who recently passed away told me he was there too.

As the years go by, it seems like more and more people were there. It was one of those legendary shows. The whole point of the story is the lead singer who wrote the songs didn’t have a whole hell of a lot of stage personality or charisma, so the minute they handed MANITOBA, the drunk roadie the microphone, he dove into “Wild Thing” by The Troggs, written by Chip Taylor, Jon Voight’s brother, (what a talented family, huh?) The place went crazy!

In the ensuing few months, the same trip kept repeating itself… the songwriter got up and sang songs to mild, respectable applause, while MANITOBA got up and sang and people went crazy. What followed was two songs, three songs, and then the obvious. If we wanted to take these good songs and get them across to the people with true rock ‘n’ roll excitement, Handsome Dick Manitoba had to become the lead singer. I don’t think the songwriter was jumping for joy with this decision.

The DICTATORS first major label album came out. It was called “The DICTATORS Go Girl Crazy” on Epic Records in 1975, a whole year before The Ramones first album came out!

Handsome Dick sang a few songs as lead singer and he was on a few songs as background singer. He was known as “The Secret Weapon”, a slogan borrowed from our love of Pro Wrestling. It was when the bad guy, or “heel” in Wrestling parlance would hide a weapon in his boots or trunks, hurt the good guy, “baby face, or face” and put it back into hiding.

1977 hit and The DICTATORS released their second major label album, this one on the Asylum label, “Manifest Destiny”. While it had a few good songs, the album really failed on many levels. I think the driving force of it’s failure was our disappointment of how badly Girl Crazy tanked.

Manifest Destiny was supposed to take us into arenas. It’s not something we were cut out for. We tried to become something we were not, an arena rock act. When the Ramones got booed off the stage opening up for Black Sabbath, they decided to get in the van and be The Ramones. We should have decided to say “let’s get in the van and be the DICTATORS!”

That’s not the way our organization worked. That coupled with the fact that an album we thought was the coolest album in the world made by the coolest guys in the world, “Go Girl Crazy”, wound up being an abject failure economically, and was put down by a large section of the press.

It did wind up having much more life LONG AFTER its original release.

As they say with certain movies, the album “had legs”…(hey, just like my songwriting confidence!)

Decades later, the album has become a classic punk record to the point where 20-year-olds and 30 year olds tell me their father turned me out onto this album and they fucking love it. “It turned me onto punk, and the album means so much to me”.

What can I tell you folks…. how many artists in history have done things that were not appreciated when they were alive, then they died and later became appreciated? …it’s good to be alive!

We did an about-turn and got closer to our punk roots on our third and final major label release also on Asylum records, this one called “Bloodbrothers”, the name inspired by the great novelist Richard Price from his first novel of the same. He was also from our neighborhood in the Bronx. Bronx people are proud of these things!

As far as songwriting, playing, and pure sonic coolness, I feel Bloodbrothers was the best of our three albums. Gee, I wonder if that has anything to do with the fact that I sang more on it than any record we did?

Our 1990 speed metal-ish, Manitoba’s Wild Kingdom (almost the DICTATORS) LP, “AND YOU?” was a fun exciting album that guess what?… bombed!

We closed out our major recording career with the release of 2001’s “D.F.F.D” DICTATORS FOREVER, FOREVER DICTATORS. (That didn’t last long!!!)

Recently Columbia?, I think, put out some LAME compilation without me knowing about it, or being told, or having an opinion. IT SUCKED. The control freak, I’m sure, loved it.

This brings to an end, our studio recording career. We did have well received small label records: “Fuck ‘Em If They Can’t Take A Joke”, and other bootlegs.

Brad Marino is a singer/songwriter/multi instrumentalist and cofounder of veteran Rock n Roll band . His solo work follows the same formula as his songs with The Connection combining elements of Rock n Roll, Power Pop, & a touch of punk. Starting as a drummer for in 2004, Marino has played and toured with many bands over the years. Side projects include, Tommy And The Rockets and The New Trocaderos.

Haxawald: Original Punk / Goth Band from New England.